Summer Contemplative Practice: Clouds & Seashells
Painting with acrylics with leaf impressions in thick acrylic medium. I am trying to stick to a limited, more subtle color palette; and, as usual, I don’t think it’s finished.–Nancy
About
I’ve spent much of my working career applying digital media and visual arts to practical problems—as graphic designer for paying clients and as pro bono designer for children’s advocacy and church organizations. The biggest hurdle has been in creating art I do for myself. A BFA fueled my working career. My experiences as a foster parent and as a volunteer Court Appointed Special Advocate (CASA) led me back to school and a PhDc (all but dissertation) in Child and Family Studies. I am a grandmother of seven, a musician (auxiliary percussion and mallets), and a gardener endeavoring to return two acres of invasive species back to a native wildlife refuge.
My paintings are studies in art media. I am fascinated with leaves, sea shells, and other found natural objects. Typically, leaves find their way onto many of my paintings.
I enjoy exploring the relationships among visual art elements–such as, color, form, line, shape, space, texture, and value—especially texture. To convey complex color, I utilize the versatility of glazes –never applying paint straight from a tube. Sometimes brushed, but typically with fingers like applying makeup. This group connects me to a very special, supportive community that keeps me inspired.
ncarow@mac.com
sigmon-carow.com
One of my latest works in progress.
I started taking images of the view from our deck in approximately the same place to document the changes throughout the year. Here is a picture of a spectacular, rare, rainbow at 8:31 in the morning on January 6. Below is a screen grab of some of the shots taken followed by the same view just 5 minutes before the rainbow appeared! It was an awesome experience. The rainbow eventually made a full arc and was long lasting. –Nancy
Painting with acrylics with leaf impressions in thick acrylic medium. It has a bit of an encaustic look to me. The original Tulip and Sassafras leaves were extremely difficult to lift off. Oak leaves provide a better product. As usual, it’s texture, texture, and more texture. –Nancy